Rocky breaks down the collaboration..

Sparkii Ski Feat MC Mello – Musty Aint Avin It

MC Mello – Talk Dem [Instrumental]

He has a co-produced alblum on the way with a group I know very little about too…

From as early as 1987 when the name Sparkie was listed on a Jus Badd release, then soon after on the Comin Correct EP and Blades Lyrical Maniac 12″s, I was always aware of the name Sparkii Ski. Im not gonna spout to knowin too much about Sparkii other than his beat-making ability, he’s part of the En4cers crew with Billy Biznizz and the rest, and he’s produced more MC Mello cuts than I care to recall. Seems he’s been plodding away at a few beats and has some ‘Heritage’ release due in 2012. Keep em peeled…

Canadians doing Hip-Hop??whatever next?..

The Video gets E for effort, and T for nice try…

But Fuck it, you have to..when it’s as dope as this.

Madlib loads some fire literally into the hole, and Freddy comes with it, in Gory Tek-nicolour..

“i love hiphop but.. its 2012 and we still promoting violence? then we wonder why the world is fucked.”   RANDOMYOUTUBECOMMENT

2Pac and Mc Ren would be very proud of Freddie Gibbs, as would Zro, for keeping this tradition of music alive in the skinny jeans era.respect to Freddie for showing us what the streets of Gary, Indiana look like forty years after the Jacksons made it famous. it ain’t pretty, but “nothing is as pretty as a pair of tiddies”- Drexl Spivey

Filed under: 4 for the beat, freddie gibbs, Madlib the Badkid Tagged: Blazing Jazz, Brainworm, Current, Gangsta, Hot Ghetto Mess, New Music, Opinion ]]> http://hotasballs.wordpress.com/2012/01/24/classy/feed/ 0 sirstyles http://hotasballs.wordpress.com/2012/01/18/catch-up-now-or-find-out-later/ http://hotasballs.wordpress.com/2012/01/18/catch-up-now-or-find-out-later/#comments Wed, 18 Jan 2012 12:13:04 +0000 sirstyles http://hotasballs.wordpress.com/?p=7561 Continue reading →]]> “i’m revenge in the form of success to all haters“

For me, a strong centender for the best l.p of last year was “the marathon continues”, and this was the first song i heard off of it..now getting a very nice visual inspired by Nipsey’s trip to the far east, shouts dantheman.There’s multiple gems dropped in this song, all over some art of noise-inspired greatness. And those drums are hard as fuck.

“in the material world, the thought is contagious..”, that, is some rakim-type shit right there.

If you are offended easily, stroll on. This post is not for those of a delicate nature.

The format of the Friars Club Comedy Roast has been around since the 1920s, its a simple set-up, the ‘roastmasters’ take turns at throwing comedic punches at the ‘roastee’ regarding their lifestyle, their career and anything else worth taking the piss out of. It might seem cruel, malicious and downright sick, but its all in good spirits, despite Jimmy Carr and some of his guests [and even viewers] completely missing the point and being offended in the UK version. Its probably the only time we can hear racist jokes without the principal character actually being racist, if you dont understand that concept, again, stroll on.

Here’s the audio from the Flav roast, *pop that isht in the cassette deck and laugh yer collar off next time you do a school run.

Out of all the Comedy Roasts, there are many highlights; the early Dean Martin show roasts are incredible documents, especially the Redd Foxx roast featuring Nipsey Russell and Slappy White. Jerry Stiller being roasted by his son Ben [and Jason Alexander] was absurdly funny, Bob Saget was bodied by way too many to mention, but my holy grail is probably the Chevy Chase roast from 1990. Apparently its never been repeated and never been made available again since its original broadcast. Dan Ackroyd was the host and at one point described Chevy as ‘A comedian with all the charisma of a hillside strangler’… If anyone has any knowledge of how to get hold of it, get in touch. I think I soiled myself a little the first time I heard Greg Giraldo describe Gary Busey as someone that just ‘flew in from lobotomy island’. The Richard Pryor roast was also comedy central, way before erm, Comedy Central

My personal favourite ROASTMASTER would probably be the late and also great Greg Giraldo, a man that took no prisoners in his delivery of caustic one-liners…

To Pamela Anderson: ‘I’ve jerked off to you alot, youve caused me to spill more seed than Muhammed Ali at a bird feeder’

From Flavs roast:

GREG: Ice T you fuckin fossil, youre so old, the first thing you bought with your record deal was your freedom !

JEFF ROSS, the Roastmaster General: How do we embarrass a crackhead that wears a viking helmet? How do we roast charcoal?

SNOOP: Its about time someobody said some gangsta shit up here. Knock Knock [whos there?], a Nigga wit a muthafuckin gun.

FLAV: Yo Snoop, I cant believe some of the shit you said about me, lets face it, this aint the first time you got away with murder !

RIP to Greg Giraldo and the sorely missed Patrice O’Neal

*From the MC Shan school of parenting

An open letter to Shawn Moltke, Marlon Williams and the rest of the hater-nation actually enjoying this crud out there. Jesus, yer a bunch of grown-ass men, cant we all just get along? Why is it fashionable or even necessary to create these kinda rants, this form of ‘beef’. Beef my arse. Shame on you  Shawn. This is garbage, this is pompous, this is self-glorification of the highest order, and from where im sittin, its ugly, and none of ye’ even have a release to promote; Black Gus, you get a late pass on that.

These videos are not a good example of how technology should be harnassed, these are signs of adults acting like a bunch of children. Kids would do things in a higher-res and set cams on a shelf for a start !

Long after the glory days of the Juice Crews achievements and successes, Marley remained a progressive guy that recognised the importance of furthering himself. He continued his career in music production after his legendary Rap Attack performances behind the wheels on WBLS with Mr Magic, the Future Flavas shows, the nutty amount of remixes and productions he has created over the years and kept on pushing himself even in the face of illness, and tbh, good on him.

Kane is a great example of getting older and still enjoying the lime-light, he was wise enough to utilise what talent he’d been blessed with. Kane aint been young for a minute, and you KNOW that Kane destroys a stage when he performs, that is a perfect example of giving the audience/ consumer what they want. Shan didnt do that. I saw Shan perform at a PUMA launch a few years ago with Kane and Doug E Fresh in London, and the difference between the 2 Juice Crew members was like watching a professional and an amateur, like Shan hadnt held a mic in front of an audience before that.

Marley furthered himself by continuing his career in broadcasting, he can currently be heard on WBLS on two seperate slots, on the Midday Mix with Marley Marl and again on drive-time, and of course he still drops the Golden Era Radio show with Shante on a Friday night. As if that wasnt enough, of course, he’s been working on production of a DVD called The Vapors for a while now [when yer ready Mr Williams, take yer time there slow-poke], not forgetting his ability to create interest around unreleased gems from the back cat by working with good folk like DWG and Roots Forward. Again, Marleys morals come into question with a supposed unreleased track from 88 which was released recently by Canadian imprint Roots Forward. I dont care what anyone tells ye, that record was NOT produced in 1988, the lyrics may have been written back then but cmon sons, yeh I said it…

And furthermore…

http://wernervonwallenrod.blogspot.com/2012/01/return-of-hot-chillin.html

Alotta these cats are enjoying fame from their musical heritage but in business terms, progression is the key to success, yeh of course its great to look back, maybe make a buck or two on the side, but the most important issue is going forward, and not letting the past keep you there. Shan did not stay current, even to a throwback/ younger crowd.

Marley is like any producer from any form of music, every genre has the artists that come to the table with ideas, and its the engineers / producers that bring those ideas to life. Shan may have brought the concepts and ideas, but Marley gave them colour and definition, Shan hasnt truly comprehended that formula IMO. So feckin what if Aaron Fuchs brought a copy of Impeach the President to the studio that time…

Personally, I think Shan wants to be held in higher esteem, but this kinda school-yard shit is the last thing that is gonna offer him a new found respect, no one likes a tell-tale. Its a shame that Marley has to call out Shan on his addictions, its a shame we’ll never see a reunion, its a shame that yall are hanging yourselves collectively, as the relationships between the members have become ruinous in the scheme of things.

Remembering that Shan had records with his name on em released on NIA and MCA in 1985, as I see it, its real simple. The Juice Crew artists didnt sign any contracts during those embryonic stages cos, well, nobody was signing contracts. They wanted fame, and they were already gettin round the way fame at that point. It took a while for people to catch on to the importance of signing contracts I think. At the very start, its a bet that, as Marley explains, they just wanted success, share some of the light that was shining their direction. They wouldve got paid well off tours and shows et cetera but that only kept them sweet in the short-term.

Okay, Marley MUST HAVE known about credit at that point, and surely thats the rub, Marley chose not be transparent in terms of the business relations and the contractual minutia, or in the good faith element of it all… Instead of sharing the information with Shan and therefore sharing the royalties down the line, he as he says, shares the small percentage of the ASCAPs and according to the  ‘All-Star Engineer’ they are for small amounts, because Shan had signed contracts alot later rather than sooner. How manipulative Marley was in the scheme of all this we’ll never know. Its clear that it took Shan a while for him to realise the importance of writing credits, performance and publishing rights.

I can see how Shan is bitter, what im troubled about now is not only what was Masta Ace talkin about in D-Nices video that sparked all this, but how Shan is going to respond, if he’s ‘wrong’ enough to yell at his sleeping baby girl just for giggles and shits, then how the eff is he gonna react to Marlons giggles directly squarely at him. I hope Shan doesnt suffer a heart-attack from ‘his worries about being a good father’ like Marley. Doubt it.