once again, your man Jamie Funktuall comes with the goods, and in a mad entertaining way..breaking down every sample in the opener to the the greatest l.p ever.Paul’s Boutique check the insanity at 13.00.
he’s like a Funky Casey Casem up in this..and has the knowledge to way back up his dancing..our caps are doffed..also, wer’e a bit gutted we didn’t do it first, but hey, we get high.
click thru to “gluetube” to find a link to download this as an mp3.
This is required listening for those tender, gentle, fantastic romantic moments, when you need to get erm, ‘buck nutty’ with that special friend of yours. The Rickster accompanies DJ Smoke L.E.S. adding his trademark and joyously ’round the way’ ramblings…
Grooveline is a Lex Lugor produced track off the recently released Habits & Contradictions full lengther. Its by young Black Hippy, Quincy M. Hanley aka Schoolboy Q…
Sans an actual full blooded beat, its a cut with a grown-ass tale to tell, as well as employing the vocal talents of Marlena Shaw from her 1975 alblum Who Is This Bitch, Anyway?
Ive posted cos some people that claim they know Hip-Hop in 2012 think that Rap has to have a beat, and like Michael McDonald, they keep forgettin’ that Hip-Hop producers like Lexus Lugor are more than happy utilising beautiful soul music and progressin’ things along quite nicely thankyou very much.
If you don’t know about Schoolboy Q, shame on you, as his “Setbacks” Fralbum was one of the best in recent years..anyways, his new one is out in a week, so familiarise yourself, and you can say you were down…
The most “traditional” sounding song from Mac’s recent l.p, Blue Slide Park gets a simple visual…and it works.
as he says himself “if you’re hating on the kid, then you’re out of the loop”..maybe this will please some of the bitter old hating ass hip hop nerds out there..but i doubt it..
and if you, like me, were doing your nut about where those drums are from..don’t sweat it, it’s the Les McCann’s “north carolina”, as used brilliantly on Smif’nWesson’s “let’s git it on”, proof the 90′s loom large in young mac..
anyways, young Pittsburgh Miller gets a co-sign here at the balls..
Irelands 5 times DJ Championship winner Deejay Mek needs no intro to those that knows, he’s a monster behind the decks and relentless in his ability to nod heads on the regular. As well as being one of the finest scratch DJs still doin it live, he has 2 brand new mixes available to download, and as you can see, has the vintage Hip-Hop video collection on lock
As a close associate of the London Posse, Mek has the footage to make any UK Hip-Hop fanatic loose the plot/ their Burlington socks. The video above is a 5 minute clip of a lascivious Bionic [Jeff] and Sipho from London Posse on an old Dublin based magazine show called Megamix
As well as a brief interview with the presenter where they discuss the difference between Jamaican and American rap-singin , they drop a few tasty rhymes, Sipho rocks the Dallas theme a la ‘My Beatbox Reggae Style’ and the keener ones amongst you will notice that stand-up comedian Sean Hughes makes an appearance towards the end…
Re-up of an old post from July last year, as the audio has been upped to YT…
As well as puttin you lot up on the latest greatest in Rap singers and the usual nonsense, more and more of you are contacting us requestin the rarities from the HOTASBALLS Rap radio archives, for the few that say please, i’ve culled this wee number.
It’s 4 live cuts broadcast the night after the show above by Tim Westwood on the Capital Rap Show on Capital Radio.
www.mediafire.com/?jmgd50jntjn
Still Number One
Criminal Minded
My Philosophy
P is Free [Reggae Version Excursion]
The show was at the Town and Country Club, as opposed to whatever corporate branded trench-foot ridden hole its known as today. The T&C Club was THE venue of choice during the late Eighties for Hip-Hop [and even Go-Go] outfits playing to a larger crowd than the usual pokey sweat-soaked low-ceiling spots in London town [The Trouble Funk show that was featured on the Say What! alblum on Island back in 86 is a perfect example of the raw excitement that ensued under the T&C roof].
This show, was THE best Rap performance I have ever witnessed in the flesh, without question, and i’ve seen a few in my time let me tell ye. It wasnt because I was bouncing up and down like some lanky lunatic, rhymin along with almost every other lyric with my mates, or spiritedly throwing bows down the front, but simply because KRS had already honed his skills and created a persona for himself as the number one performance Rapper at the time, and let’s face it, not many have come close to perfecting his presence or delivery on-stage since. The clarity of virtually every rhyme was as clear as crystal that night, his phonetics were unfuckwitable, that may sound standard, but think of how many shows youve been to and that hasnt been the case.
As outta-towners attending gigs in London, the inevitable radio shows that came with travelling to the mainland from Ireland were as important to document as anything else we were at. By any means we’d record the Westwood shows, or Max n Dave or Dave Pearce or even Delroy Briscoe on Sky Community Radio, whoever was playing Rap at that moment in London, I wanted to be able to hear it at home, back in sunny Belfast. One of my best mates Andy even bought a portable radio/ tape deck in NY on one trip, just to catalog the Stretch & Bobb late night sessions on WKCR. We’d get off on the trips to 4 Star General, hangin out with and after a while, snappin on George, in his Gucci loafers and shitty nylon grey socks, we”d stock up on vinyl at Groove and head to all the Hip-Hop spots of choice at the time but the radio shows were imperishable and evidently lasting, so we’d do anything to tape em.
This show was broadcast on the Friday night, the evening after the gig, that’s a pretty impressive turnaround even by todays standards. Me and my muckers were ecstatic as we tuned to 95.8, nodding our heads to the show that we were all at just the night before, but the element that has made it an even longer lasting memory was listening to it on a roof-top across the bloody road from the venue, in North London, with it’s high Irish population. Shouts to Robin and Robins brother who let us hang out on the roof hurling abuse, amongst other things, at passers-by below til the wee hours.
The same live session from the Thursday night was also used for three cuts on the LIVE HARDCORE WORLDWIDE alblum, none of the tracks I have upped today were on that release so this is probably the first time these wee numbers has surfaced from this gig.
If you want more of this kind of thing, leave comments and you never know what might appear next, by just ripping the shit and runnin, youll never know what else could be round the corner. Enjoy.
Just a quick heads up for those that arent already aware, a new series of Curb Your Enthusiasm kicks off tomorrow night in the US.
If you have misanthropic tendencies, if you find it difficult tip-toeing through the terrains of social interplay, or maybe you are simply a yammering old maggot, this show is for you. Love him or loathe him, Larry delivers the truth, go on an testify !