Category Archives: WBLS

Mr Magic birthday party [1984]

Another week, another clip from way way back from peoples that were there along-side the greats. This time we have conversations with the late great Mr Magic, Sweet G from the Fever, Kool Kyle, DLB from the Fearless4 and live performances from Fearless, Divine Sounds and the Force MCs.  Magic discusses Graffiti writers and the ‘generations’ of Rappers while DLB is prophetic in his observation that there are ‘so many creative writers when it comes to Rap, that there is no way it could really end’…

There’s also an instrumental with a Malcolm X speech towards the end, not unlike the 1983 Keith Le Blanc produced cut on Tommy Boy. Its probably exactly that, just a World Famous Supreme Team instrumental with a sheet of Malcolm over the top, but its cohesive, and sick…

Mr Magic funeral [2009]

In an anthropological sense, this clip is at the very least, engaging. Its also a very uncomfortable clip to watch, not just because it features Kurtis Blow reading Mr Magics obituary, also cos Marley Marl clowns it up during a service at the open casket funeral…

Disco Fever 10th Anniversary party footage from 1986

Documentation of the early days of Hip-Hop and Rap is difficult enough to acquire, lets face it, obtaining the rawest form of Rap on 30 year old cassette recordings of community centre battles are difficult enough to procure. The moving picture footage of Hip-Hop pioneers is even harder to come by than the aural form, whether it’s footage of a park jam with Jazzy Jay, Flash at The Armory or insider scoops from the WKCR days of Stretch & Bobbito. From the TVone photo-play of the Unsung series and the VH1 rockDocs like NY77, to Eli Gessners footage of Stretch & Bobb hard at work in the studios of Columbia University, TV channels and production houses continue to demonstrate the validity of the days of wayback with previously unseen visual documentation. Having the ability to watch a 50minute video with a bunch of Rap superstars of the future, that hasnt seen the light of day in 25 years, is nothing short of miraculous IMO.

This latest drop from the golden olden days features the ‘greatest street club in the world’ as owner Sal Abatiello described it on its 10th Anniversary in 1986. If you truly know Hip-Hop in its embryonic form, youll already know that the first Rap radio show was presented by Sir Juice himself Mr Magic, and of course youll know that Magic co-presented one of the most popular Rap radio shows with Marley Marl, known as the leader of the Juice Crew. Did you know that Mr Magic was originally known as Lucky the Magician when he started his career on PAYG station WHBI [They sold airtime for $75 an hour]. Or did you know that the original JUICE CREW consisted of Sweet G, June Bug, Mr Magic, Grandmaster Flash, Melle Mel, Mandingo, Bam-Bam and owner Sal Abatiello?

According to Dan Charnas, who interviewed Mr Magic for his publication The Big Payback in October 2007, the OG Juice Crew All-Stars were the ‘Guys who hung out until dawn, breaking balls, playing cards, drinking and sniffing. They called themselves the “Juice Crew.” Sal even made them special “Juice Rings” to commemorate their degenerate bond’. In the clip above you’ll witness these bonds, these kinships and the connection Sal created at the Fever. Did you know that the Disco Fever was the ‘first club in the country’ to have metal detectors and a gun-check at the door? It’s interesting to note that the Disco Fever was THE first disco to charge for people to get in with sneakers on, it was a dollar to get in if you wore shoes, but it was 5 dollars if you wore sneaks.

In this prime piece of old school proceedings its all about the faces, the dance moves, the leather bombers, the mock necks as well as performances from artists like Run DMC dropping unreleased verses of Peter Piper. Youll see the Kangols and the Cazals, the Def Jam and Cutting Records promo jackets as well as the nauseous sway of the disco lights. It’s about artists like Love Bug Starski performing ‘Live At The Disco Fever’ erm, live at the Disco Fever. Melle Mels ‘energy’ as he describes the ‘old school’ of 1976 during 1986 gives me shudders, as does the shower-cap wearing, ‘green’ dealing Grandmaster Flash in the Style video also contained in this clip.

You wont witness any of the illicit goings on from the ‘back room’ at the Fever in this clip, but you can hear the avuncular way in which Sal [via Sweet G] describes the artists, that even in 1986 had progressed to successes on platforms such as ‘stage, screen & TV’, offering the viewer further evidence of how much of a family affair the Fever really was. The celebratory, kindred nature of the event is high-lighted in Whodinis closing and congregational ‘We Are The World’ type performance of Friends. Live-Aid aint got shit on this ! Run DMC share the stage along-side the Furious 5, Jimmy Spicer, Vandy C, Mr Magic and the Fat Boys as well as every other recording artist in the building that night, while a fresh-faced DJ Red Alert hangs his arm round Sal as they sing the chorus of Friends alongside the two Whodini head-liners. As Rap and Hip-Hop continue to find progression into 2012, its important to remember the innocence of these earlier times, throwbacks are a beautiful thing. More fever here, not forgetting Dante Ross’ interview with Sal for Mass Appeal magazine

From Friday, October 31, 2008 and from the same Vimeo account holder, an incredible Jeff Chang hosted panel discussion with a consummate group of pioneers from the cornerstones of the culture; Joe Conzo, Roxanne Shanté, Popmaster Fabel, Disco Wiz, Pebblee-Poo, Tony Tone, Grandwizard Theodore, Grandmaster Caz & Afrika Bambaataa alongside Born In The Bronx author Johan Kugelberg. As Chang explains during the intro, this is history.

Larry Blackmon in conversation…

Larry Blackmon talks to DJ Red Alerts old mate Jeff Foxx about amongst other things, hearing his 1st hit played by Frankie Crocker on the WORLD PREMIERE  slot

World’s Best Looking Sound – WBLS TV ad

 

Rap radio is an odd beast, there is a huge community of people like myself that fiend for those dusty tapes of hissy broadcasts from the days of way-back. Along with the park jams and community centre parties with now well known names like Herc and Flash, and the uncelebrated and often overlooked talents of early Rappers like Grandmaster Caz and Johnny Wah, the early days of Hip-Hop are some of the purist to those that lived through them, so those old tapes arent simply a throwback to better times for the elders, they are capsules of the golden era, the silver era, and all eras in-between. An historic cache for future generations to enjoy too.

The radio shows that initiated Hip-Hop listeners on a path to pure righteousness are paved with gold school nuggets that only they can ponder with their peers, without sounding like some old fool archeologists. Thankfully, younger generations are catching up too, but the aural capital of those dusty old ferric, chrome and even metal cassettes can generate the oddest reactions in those that understand little of the culture.

The history of Hip-Hop wouldnt be the same without New York radio station WBLS [the BLS an abbreviation of Black Listening Station or Best Looking Sound]. The frequency of 107.5 MHz was a regular for NY listeners that listened in for what is now considered the ‘urban contemporary sound’, fine tuning to hear that panning station ident voiced by station director the legendary Frankie Crocker. Whether people wanted music from club DJs Timmy Regisford and David Morales on the famous Saturday Night Dance Party, or later with Reggae visionary Bobby Konders, people tuned in in their thousands.

I first knew of WBLS when I was 16, answering pen-pal ads in Blues and Soul to feed my Hip-Hop habit. I’d been educated in the ways of Kool DJ Fred Alert and the WRKS shows and then I rediscovered an archive of classic Rap radio presented by legends in the game; Mr Magic, Chuck Chillout, Marley Marl & Pete Rock [not forgetting Chilly Q and Kevy Kev], Silver D and of course, Superman DJ Clark Kent.

Outside of the 5 boroughs, who knew they were advertising on TV back in 78?