Tag Archives: DRUMS! DRUMS! DRUMS!

“Smokin out in London, and they handing me fish and chips”

not a life changer, but, still a nice lil’ sumthing for the headphones (grado, that is)..

absorb the beat,realise that it’s probly the best flip of the B.Whizzle drums (no lisa stansfield) youv’e heard, forget the first rap singer, and tune in when Mr “the Truth” comes in..all of the Mc’s come wildly differently, but all shine, including Wale, who’s never really impressed me too much (although,the line about loving his mother, and never getting married says a little too much, also, ELTON)

most improved goes to Young Khalifa Man, sounds like he may of even got his pad out for this..not just rhyming, well i might add, but using some nice inflection to sprinkle some more flavour over this niiice beat..one for the pad, or pod, or whatever.

Mac Miller – Of The Soul

The most “traditional” sounding song from Mac’s recent l.p, Blue Slide Park gets a simple visual…and it works.

as he says himself “if you’re hating on the kid, then you’re out of the loop”..maybe this will please some of the bitter old hating ass hip hop nerds out there..but i doubt it..

and if you, like me, were doing your nut about where those drums are from..don’t sweat it, it’s the Les McCann’s “north carolina”, as used brilliantly on Smif’nWesson’s “let’s git it on”, proof the 90’s loom large in young mac..

anyways, young Pittsburgh Miller gets a co-sign here at the balls..

white boy awesome.

Lord Finesse & K-Def [WFMU Mixes] – October 2011

Lord Finesse WFMU Mix

K-Def WFMU Mix


Noah Uman is not only a Hip-Hop historian, not only has he written liner notes for re-issue releases on Nature Sounds and Traffic Entertainment, he is the co-producer of the 2005 Run DMC re-issues and the presenter of the long running ‘Coffee Break For Heroes and Villains’ show on New Jersey free-form radio station WFMU.

I’d heard of WFMU years ago but didnt pay enough attention until I was finding myself proto-hacking it in order to record each of the Steinski Rough-Mix shows in 2007 [as they were broadcast and as I slept in my bed]. There was of course the beatbox themed special presented by Lewis Recording artist Edan back in 2002, but Noah himself has hosted shows with many noted Hip-Hop luminaries; Primo, Janette Beckman, Will C, Rack-Lo, 45 King and many many others.

He is taking some sort of time out from the show to move cross country but as a parting acknowledgement for his work, Hip-Hop super-producer K-Def and Diggin In The Crates legend Lord Finesse joined him in the studio for a bit of a send-off. The results are an enlightening look at battling in 2011, in typical good natured grown-folk fashion. They attempt to out do each other behind the Serato laden turntables, and even if these turntables are using decoded vinyl, it seems that the Funky Technician feels that it is important to keep up with technology, eff Paypal, it’s all about Squareup he informs, keep up !

It’s funny to hear Noah describing K-Def and Finesse ‘talking in code’ after the discussion [or lack of] regarding their breaks and who the performers are, Finesse claiming that Noah sounds ‘like a cop’ when he asks, ‘Can you name any of these records?’. The banter in the interviews is jokes too, but youll have to head to WFMU to enjoy that….

Not unlike the Finesse set from Crotona back in the Summer, he erm, keeps the crowd listening with shed-loads of good old music, they both drop some of their own works and some blends, but to me, the highlights were the NEVER HEARD BEFORE instrumentals and acapulcos…

Donate if you can, WFMU will always welcome a donation…

Evidence – You

just doin’ my bit for real rap music. so many gems dropped, and it gets deeper with every listen. i think i’m only really checking for about ten dudes in 2011, Evidence is one of them..and real nice to hear someone cutting havoc’s verse from shook one’s, not p’s…guwan mickey!

 

[Pauline] Black by Design: A 2-Tone Memoir

Enjoyed the piece in the Family section of The Guardian yesterday about Pauline Blacks youth and emergence in the world of popular music. If you enjoyed the ‘On My Radio’ clip a few weeks ago you may enjoy this read from the Selecter lead singer herself…

Dunno why Ive been listening to alotta 2Tone recently but it’s always good to know a little more about the definitive British music culture, and even better to hear it from the mind of the most important [along with Rhoda Dakar] females from the time. Her book is available here

Stu Bangas Brutal Beats Vol 1

this first beat is firey hot shit, like you just ate vindaloo in the loo, knomesayn?

Steinski Version Excursion

As all you regular readers will know, one of the many things we like to highlight here on the BALLS are the origins of sample sources. We know that some folk dont appreciate letting breaks go, that’s a fair comment if you are DJing at Zulu nation B-Boy battles/ are a serious collector or you still soak the labels off your vinyl [can you soak the label off a Serato disc?]. Anyways, I very much doubt that the pioneering Mr Steve Stein is going to be on the phone complaining about us letting this one go.

Most of the time it’ll be a version excursion [as we know them], featuring the Rap song that utilised a break, then the break et cetera, our Mothers taught us well, our Mothers taught us to share and share alike. It’s mostly as simple as poppin a Youtube clip up and being done with it, but sometimes it’s more than just a musical issue…

The track above by Steinski & Double Dee ‘Hip-Hop is not Rap’, is a short singled out cut culled from an incredible live set by the pair, recorded back in January 2008 at the Irving Plaza in NY. The mix is called Who Owns Culture and the title is based on the 2005 Wired magazine article of the same name by writer and copywright activist Lawrence Lessig, author of this, which you need to read.

Until recently, I’d not heard the mix, but when I did get to listen to it, I instantly recognised a vocal that was also incorporated into the model Steinski mix, Nothing to Fear [one of the finest and most detailed mixes in mash-up/ megamix/ cut and paste history]. I had heard the same voice utilised and sprinkled over the top like an aural hot sauce on WOC, but it puzzled me every time, pondering its origins, which it transpires, are from 2002. Motherfucker !

Thanks to the good people at unheard78.blogspot.com, I’ve now learnt that the distinctive voice belongs to a playwright, poet, Hip-Hop purist, founder of the Hip-Hop Theater Festival and all-round outspoken good guy Danny Hoch. Fundamentally, it’s just another piece in the puzzle confirmed, thanks again to DT@Unheard. For the record, I watched the odd Def Comedy Jam, never Def Poetry Jam, seems there was somethin in it…

It seems that Danny Hoch has had a few run-ins with Hollywood and the industry in general, even going so far as getting readings for the Seinfeld show and poo-pooing their stereotypes in favour of raising awareness of racial oppression. Stay true to the game eh…

Give Mr Stein a shout if you wanna buy a copy of the alblum, im not sure if it’s available anywhere right now, but he’ll be more than happy to point you in the right direction if it is.

Head over to Unheard for a shed-load of Steinski doozies and a recent interview with the good man himself…